Swords-and-Scandals

?WORD?-AND-?CANDAL?: HOLLYWOOD? ROME DURING THE GREAT DEPRE??ION Ab?tract ?everal Hollywood bring? produced during the Depre??ion twelvemonth? 1932-1935 utilized ?tereotypical im time? of capital of Italy and popish? to addre?? and to exploit anxietie? precipitated by thi? frugal cata?trophe. Of the?e, two box-office hit?, The ?ign of the telescope?? (1932) and papist ?candal? (1933), employ the ?tandard trope of roman? a? the indulgent oppre??or? of a virtuou?, innocent, entirely in the long slant triumphant people, but individually figure? it? corrupt Roman? in way? that ?poke differently to Depre??ion audience?. to from each one one film? repre?entation of Rome draw? on the genre recipe? to which the film belong?, hi?torical epic and comedy. Cecil B. DeMille? ?word and ?andal epic, The ?ign of the reach??, focu?ed on the Roman per?ecution of Chri?tian? and offered ?pectator? both an uplifting me??age of ?piritual redemption and vicariou? purpose of Roman we alth and decadence.

By contra?t, in ?amuel Goldwyn? mu?ical comedy, Roman ?candal?, ancient Rome and Depre??ion America mirror each other; renewal and backup man re? ult from a clean?ing of graft and rot from the Roman, and hence al?o the American, political ?y?tem?. Image? of Rome in film? made during the wee 1930? offer a fa?cinating mannequin of how America? metaphoric relation? informed to Rome took popular and moneymaking(prenominal) ?hape during a time of outstanding economic hard?hip and political turbulence. American? had never faced anything quite same the Great Depre??ion before. There had been ec onomic depre??ion? in the pa?t, but nothing ! a? cata?trophic and enduring a? the effect? that followed in the wake of unforgiving Tue?day, October 29, 1929. In the fir?t two month? by and by the Cra?h, the number of indolent in the United ?tate? went from fewer than half a million to more than four... If you want to get a full essay, rewrite it on our website: OrderCustomPaper.com

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